{"id":10042753,"date":"2025-12-08T11:46:50","date_gmt":"2025-12-08T16:46:50","guid":{"rendered":"https:\/\/vanyaland.com\/?p=10042753"},"modified":"2025-12-11T06:17:43","modified_gmt":"2025-12-11T11:17:43","slug":"year-in-review-vanyalands-favorite-national-songs-of-2025","status":"publish","type":"post","link":"https:\/\/vanyaland.com\/2025\/12\/08\/year-in-review-vanyalands-favorite-national-songs-of-2025\/","title":{"rendered":"Year in ReView: Vanyaland&#8217;s favorite national songs of 2025"},"content":{"rendered":"\n<p>It&#8217;s said that music helps keep us sane in insane times, and as we noted at the year&#8217;s midway point, that theory has been put to the test in this miserable and exhausting 2025. So to wrap up a year where music either inspired action or helped soundtrack distraction, we&#8217;re rounding up our 20 most favorite tracks that have helped ease life&#8217;s firehose of chaos and provide a little bit of levity during our long and tiresome days. As is <em>Vanyaland&#8217;s<\/em> true nature, the bangers we&#8217;re feeling the most this year span a spectrum of genres, from SpiritWorld&#8217;s hellacious Americana acre of death metal to Madison Beer&#8217;s white-hot electro seduction to Wet Leg getting their Britpop on to City Builders bumping a 3 a.m. blog house afterparty to Fontaines D.C. further cementing a place as one of Ireland&#8217;s greatest exports. To kick off <em>Vanyaland&#8217;s<\/em> week-long <strong>2025 Year in ReView<\/strong>, here are 20 standout jams, listed alphabetically, that have shaped the sound of 2025, whatever that may be, and have helped provide a needed respite from our daily scream through the screen.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>away fans<\/strong>, &#8216;Keeping On&#8217;<\/h3>\n\n\n\n<p>Break-ups are hard, but true reconciliation is even more difficult. The panic and confusion that comes with a desperate attempt to make amends is usually soundtracked by some lovelorn ballad soaked in solemn emotion and tear-stained reflection.\u00a0<strong><a href=\"https:\/\/www.instagram.com\/awayfans.band\/?hl=en\" target=\"_blank\" rel=\"noreferrer noopener\">away fans<\/a><\/strong>\u00a0are having none of that shit. The London foursome reflect the beating heart of internal disorientation with propulsive and restless October single \u201cKeeping On.\u201d Buoyed by backing vocals from SEY.MOUR., British indie magnetism, post-punk urgency, and Madchester rhythms combine with hyperactive jungle and drum and bass breaks to craft a head-spinning kind of kinetic indie-rave tension where the walls of hysteria are quickly closing in. In fewer than four minutes, \u201cKeeping On\u201d is a cinematic house of mirrors, where self-doubt and inner confidence spiral in lockstep, echoing out loudly and ricocheting across our emotional states as one of the most interesting and engaging tracks we\u2019ve heard in a hot minute. \u201cThe song is about that moment post-argument with your partner, when the initial anger has faded and you just wanna sort things out but don\u2019t know how,\u201d says vocalist Tom Fisher. \u201cThat sort of malaise when you\u2019re desperate to get back to how things were but aren\u2019t quite sure how to get there.&#8221;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Keeping On\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/iamwnXE8XhU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>The Beaches<\/strong>, &#8216;Last Girls at the Party&#8217;<\/h3>\n\n\n\n<p>We\u2019ve been so busy\u00a0<a href=\"https:\/\/vanyaland.com\/tag\/the-beaches\/\" target=\"_blank\" rel=\"noreferrer noopener\">blaming our ex<\/a>\u00a0over the past year or so that we totally slept on\u00a0<a href=\"https:\/\/www.thebeachesband.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>The Beaches<\/strong><\/a>\u00a0coming back to the scene with delectable new jams. But the transcendent Toronto band isn\u2019t worried about any of that, as the unfuckwithable guitar-pop unit is purely concerned with what\u2019s up next, and fast on the agenda is a night out soundtracked by boisterous April bop \u201cLast Girls at the Party.\u201d This firecracker retains the playful intensity of 2023\u2019s\u00a0<em>Blame My Ex<\/em>\u00a0\u2014 a wildly re-listenable and whipsmart record that\u2019ll stand proud as one of the decade\u2019s best. \u201cWe\u2019re four crazy girls who like to have fun together, and are literally always the last to leave,\u201d frontperson and bassist Jordan Miller says about the new single. It set a tone for August&#8217;s <em>No Hard Feelings<\/em>, and our only gripe is that the record hit too late in the summer, long after those initial day trips and long drives, as the gals\u2019 breezy and infectious sound is just pitch-perfect for the casual season. But hey, we\u2019ll just blame our ex for that, too.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"The Beaches - Last Girls At The Party\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/2wU-wN1t1Eg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Madison Beer<\/strong>, &#8216;yes baby&#8217;<\/h3>\n\n\n\n<p>We&#8217;re running this list alphabetically, but if we were ranking these 20 songs, <a href=\"https:\/\/www.instagram.com\/madisonbeer\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Madison Beer&#8217;s<\/strong><\/a> potent &#8220;yes baby,&#8221; the first taste of January&#8217;s <em>locket<\/em> album, would land with a sloppy wet kiss at #1. A Justin Herbert deep-ball into the end zone of bacchanalian seduction, this pulsating electro-pop banger fueled by dizzying momentum and playful intrigue extends its dark techno deep into the underground dance party circuit while posturing proudly in neon excess for the mainstream, vaulting our gal Beer into the alt-pop stratosphere with the paparazzi closing in fast. It&#8217;s a flirty pile-driver of a tune best heard on a continuous loop, its entangled sonics brought to breathless life by the &#8217;80s exercise video-inspired visual, concepted and co-directed by\u00a0Beer\u00a0and director Aerin Moreno. \u201c\u2018yes\u00a0baby\u2019 is really just a fun and flirty song,&#8221; says Beer. &#8220;After I shot the music video, though, it took on a whole new energy,\u00a0and just feels like a song you want to blast with your friends.\u201d The only thing that&#8217;s missing is a Boy Deluxe remix. Come on now, baby, let&#8217;s get physical. <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Madison Beer - yes baby (Official Music Video)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/iFmNWm60bjA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Big Thief<\/strong>, &#8216;Incomprehensible&#8217;<\/h3>\n\n\n\n<p>Back in the fall of 2019, when\u00a0<strong><a href=\"https:\/\/www.bigthief.net\/\" target=\"_blank\" rel=\"noreferrer noopener\">Big Thief<\/a><\/strong>\u00a0released their fourth album\u00a0<em>Two Hands<\/em>, it seemed like a lot of folx brought the generation-defining \u201cNot\u201d with them back home for Thanksgiving, using the song to soundtrack whatever it was we were all facing with our families as our former lives crossed with the current. June single \u201cIncomprehensible,\u201d the first offering from\u00a0<em>Double Infinity<\/em>, emerged with a similar feeling of emotional heaviness, the type of track that stays with us long after the first listen, and seems poised to hold a place of importance as we collectively teeter on the brink of whatever it is we\u2019re on the brink of. As percussion swirls and a feeling of hopeful nostalgia permeates through this stunning composition, an immediate contender for SOTY and eventually to be placed amongst Big Thief\u2019s finest efforts of a pretty remarkable career, Adrianne Lenker\u2019s soul-stirring lyrical wordplay dances in and out of our headspace with ease. What gorgeous wonder from a truly generational band.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Big Thief - Incomprehensible (Official Lyric Video)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/nSqYsmmfbCI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Boy Deluxe<\/strong>, &#8216;Feedback&#8217;<\/h3>\n\n\n\n<p>Darker days demand darker beats, and\u00a0<strong><a href=\"https:\/\/www.instagram.com\/p\/DIzUHsEpFi0\/\" target=\"_blank\" rel=\"noreferrer noopener\">Boy Deluxe<\/a><\/strong>\u00a0have answered the call to beam down from the shadow of heaven and crack a strobe-light whip on our faded mental blackout. The Los Angeles electronic music project of Ever So Android members True Murra and Hope S continue to seduce with year-defining EP\u00a0<em>From Black Sheep to Icon<\/em>, which makes us feel the same way we felt when we first heard ADULT. some 25 years ago. The record, one of a handful issued this year from the duo, is an intoxicating head trip of EBM, darkwave, and electroclash, a potent dose of sinister post-wave death rave led by &#8220;Feedback,&#8221; the type of mutant disco we danced to at the turn of the millennium when not a single shit was given. We&#8217;ll follow Boy Deluxe straight off the catwalk cliff and into a deeper realm of lust and trust, and the army will only grow stronger as this electro-punk banger can be heard on The CW\u2019s\u00a0<em>All American<\/em>\u00a0and the latest Chevrolet Equinox EV \u201cUnplug and Unlock\u201d commercial. Close your eyes until it hurts; this may not be a hazy daydream after all. If we had a roundup for the best EPs of the year, this would reside at the top like a queen in black neon holding court over our devilish souls.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"FEEDBACK\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/lA70gFH9nYQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Sabrina Carpenter<\/strong>, &#8216;Manchild&#8217;&nbsp;<\/h3>\n\n\n\n<p>When <strong><a href=\"https:\/\/www.sabrinacarpenter.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Sabrina Carpenter<\/a><\/strong> gets her Chappell Roan on, amazing things happen. But it&#8217;s kinda crazy that the week Elon and the president had a public falling out, our girl dropped this feathery alt-pop bop about the dudes that drive us mad. Score another certified hit for songwriting queen, Maine native, and <em>Vanyaland<\/em> fave Amy Allen, who here teams up with Carpenter and Jack Antonoff for the first primer and proper standout from the <em>Man&#8217;s Best Friend<\/em> album. &#8220;I wrote &#8216;Manchild&#8217; on a random Tuesday with Amy and Jack not too long after finishing <em>Short n\u2019 Sweet<\/em> and it ended up being the best random Tuesday of my life,&#8221; Carpenter writes. &#8220;Not only was it so fun to write, but this song became to me something I can look back on that will score the mental montage to the very confusing and fun young adult years of life. It sounds like the song embodiment of a loving eye roll and it feels like a never ending road trip in the summer ! hence why i wanted to give it to you now &#8212; so you can stick your head out the car window and scream it all summer long!&#8221; As Carpenter continues to speaks out against fascism, her powers grow even stronger.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Sabrina Carpenter - Manchild (Official Video)\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/aSugSGCC12I?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Charlotte OC<\/strong>, &#8216;God, We Tried&#8217;<\/h3>\n\n\n\n<p>Around these parts, we simply love a good O\u2019Connor comeback story. So we\u2019re excited and intrigued by the return of\u00a0<strong><a href=\"https:\/\/www.instagram.com\/charlotteocofficial\/?hl=en\" target=\"_blank\" rel=\"noreferrer noopener\">Charlotte OC<\/a><\/strong>, the English singer-songwriter who in March resurfaced with\u00a0an elegantly dramatic\u00a0new single in \u201cGod, We Tried,\u201d which instantly felt like one of 2025\u2019s best. Ms. OC also revealed some personal setbacks that allow proper view to this enchanting new release. \u201cGod, We Tried\u201d is described as a poignant and raw reflection on love, loss, and grief, and we\u2019ll let the artist take it from here: \u201cThis song is deeply personal to me, I started writing it after my dad passed away. In my grief, I ended up in a relationship that probably wasn\u2019t the healthiest choice for me, and I wasn\u2019t truly allowing myself to heal. If I think about it, all I wanted was a male figure in my life, to fill a void&#8230; \u2018God, We Tried\u2019 reflects the end of that relationship and the emotional complexity of trying to make something work when it really wasn\u2019t right. It\u2019s about love, loss, and the struggle to move forward while still processing deep grief.\u201d Sounds about right for 2025.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Charlotte OC - God, We Tried (Official Video)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/7lVcx_PfFC0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>City Builders<\/strong>, &#8216;No Sleep&#8217;<\/h3>\n\n\n\n<p>In this yawning 2025, nothing feels fun.\u00a0<strong><a href=\"https:\/\/www.instagram.com\/wearecitybuilders\/\" target=\"_blank\" rel=\"noreferrer noopener\">City Builders<\/a><\/strong>\u00a0is sick of that shit. In November, the alt-pop project from Toronto artist Grace Turner dropped an electro beat on the kind of all-night revelry we used to have with \u201cNo Sleep,\u201d\u00a0a rowdy banger that throbs with euphoria\u00a0as the walls of chaos close in around us. It\u2019s a pulsating soundtrack for wild nights, reckless fun, and a sense of unhinged liberation we all seemed to have lost along the way to yesterday. \u201cMy best friend and I turn into absolute demons on a night out,\u201d says Turner. \u201cThere\u2019s nothing like giving into your intrusive ideas with a best friend, and I needed to write something that sounded as chaotic as our nights out.\u201d Mission accomplished. Like Ke$ha&#8217;s &#8220;TiK ToK&#8221; for the modern day, where good times feel illegal, \u201cNo Sleep\u201d is a mascara-smeared compass for the party circuit, filled with the promise and intrigue of a pre-game dress-up sesh, the strobe-lit revelry of a 3 a.m. bass drop, and the slutty haze of a misguided hook-up just before dawn. Its DNA traces back to the untamed blog house era and a glitzy and glittery time when pop music wasn\u2019t afraid of being a little bit disheveled, and there\u2019s a sense of fun to it that\u2019s sorely lacking right now. Dial 666 and hit the town. There\u2019s an afterparty somewhere.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"&quot;No Sleep&quot; - City Builders (Official Music Video)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/D9hZGknvv98?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>feeble little horse<\/strong>, &#8216;This Is Real&#8217;<\/h3>\n\n\n\n<p>The unrelenting Big Content Industry (BCI) demands a continuous stream of releases from bands in 2025, designed to keep momentum and buzz rolling atop all our social feeds and ensure that artists are permanent fixtures on not only our playlists, but also in our hearts. It\u2019s a grind. We long for the days when a single song \u2014 an absolute fucking belter \u2014 was enough to feed the masses, to steady a beat forward for weeks and months and maybe even a year. A song like \u201cThis Is Real\u201d from\u00a0<a href=\"https:\/\/www.feeblelittlehorse.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>feeble little horse<\/strong><\/a>. The Pittsburgh indie noise-pop band dropped this SOTY contender, where the kaleidoscopic meets the unhinged, in March via Saddle Creek, their first new music since 2023\u2019s\u00a0<em>Girl With Fish<\/em>, and interestingly enough, the notion of a timeline is embedded within the track\u2019s origin story. \u201cI think it\u2019s important that this song is released to turn the page, but also to enjoy the product of sitting with something for a record\u200b breaking amount of time for us as a band,\u201d says \u200bfeeble little horse\u2019s Lydia Slocum. \u201cWe wrote our past 2 albums with this indescribable urgency, and I think \u200b\u2019This Is Real\u200b\u2019 happened while the burner was turned to low if that makes sense. I wouldn\u2019t say this track can function as a prophecy for what our sound will become for the next album, but it\u2019s become something no other song will ever quite compare to&#8230; I hope this track can function as a time capsule for our fans the same way it has for us.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"feeble little horse - This Is Real [Official Audio]\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/ZZ5ARgm--Ok?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Fontaines D.C.<\/strong>, &#8216;It&#8217;s Amazing To Be Young&#8217;<\/h3>\n\n\n\n<p>Can a band or artist deliver a SOTY contender right after dropping the AOTY? Chappell Roan did it in 2023 into 2024 with\u00a0<em>The Rise and Fall of a Midwest Princess<\/em>\u00a0into \u201cGood Luck, Babe,\u201d and so it makes perfect sense that bridging last year\u2019s vibe with the fresh sound of now is\u00a0<strong><a href=\"https:\/\/www.instagram.com\/fontainesband\/\" target=\"_blank\" rel=\"noreferrer noopener\">Fontaines D.C.<\/a><\/strong>, the Irish standouts who in February followed the era-defining\u00a0<em>ROMANCE<\/em>\u00a0album with\u00a0an elegantly dramatic new single\u00a0called \u201cIt\u2019s Amazing To Be Young.\u201d And it\u2019s just fucking massive. \u201c\u2019It\u2019s Amazing To Be Young\u2019 is a song that was written in the presence of a newborn child \u2014 Carlos\u2019 child,\u201d says bassist Conor Deegan III, citing guitarist Carlos O\u2019Connell. \u201cIt sounded more like a lullaby or a music box then, but with the same lyric \u2014 \u2018it\u2019s amazing to be young\u2019. The feeling of hope a child can give is profound and moving, especially for young men like us. That sense of wanting to create a world for them to grow up in happily. It\u2019s a feeling that fights against the cynicism that can often overtake us in the modern world.\u201d A lucid daydream of a single, this went onto our Best of 2025 list upon first listen, and now here we are, even more tired than before. <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Fontaines DC - It&#039;s Amazing To Be Young (Official Video)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/MjI1L0dBAVI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Home Front<\/strong>, &#8216;Kiss The Sky&#8217;<\/h3>\n\n\n\n<p>Every year there seems to be an album released so late on the calendar, that it&#8217;s true impact comes long after all the Best Of lists go to press. <strong><a href=\"https:\/\/www.instagram.com\/arewenothomefront\/?hl=en\">Home Front&#8217;s<\/a><\/strong> November record <em>Watch It Die<\/em> already feels like the best album of the oncoming 2026, one that will eventually be appreciated and heralded with some time to properly marinate. A textured and intricate record where hardcore and synth-pop merge in captivating ways, <em>Watch It Die<\/em> has several standouts &#8212; particularly the anthemic sing-along crusher &#8220;Light Sleeper&#8221; and confrontational street punk &#8220;For The Children (F*ck All)&#8221;. But our pick here is &#8220;Kiss The Sky,&#8221; a dark-pop blitz with Korine DNA and Hooky basslines that showcases the Canadian post-punk group&#8217;s complexity in sound, embeddable emotion, and remarkable sonic architecture. It&#8217;s a dance party for a time when few feel like dancing. \u201cFor us, ultimately, this is music that comes out of loss and heartbreak and failure, but I hope people have a good time listening to us,&#8221; the band states. &#8220;You can get rowdy, you can get emotional, you can do whatever you want, but maybe with all of that freedom, we all take a second to reflect on all our fallen brothers and sisters and friends who may have slipped away.\u201d\u00a0Just look up. <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Kiss The Sky\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/f6Pp0fTewMI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Lonely Little Kitsch<\/strong>, &#8216;Puncture Wounds&#8217;<\/h3>\n\n\n\n<p>It\u2019s wild that the smash rooms aren\u2019t booming with business these days. Everyone\u2019s on edge, forever ready to throw hands, and one minor inconvenience thrusts otherwise chill folx into a blind rage. But a controlled and coordinated release of the tension that grips us is quite necessary to get through this cursed timeline, and\u00a0<strong><a href=\"https:\/\/www.instagram.com\/lonelylittlekitsch\" target=\"_blank\" rel=\"noreferrer noopener\">Lonely Little Kitsch<\/a><\/strong>\u00a0have released a sensational soundtrack to help address frustrations in ways that won\u2019t get us arrested. The Canadian duo of Kristen Goetz and Nolan Jodes in November unleashed a soaring dose of alt-rock catharsis in \u201cPuncture Wounds,\u201d where the uneven urgency of the times is met with a relative calm outlook. And using a smash room as the visual for the official lyric video opens a mental portal into our own headspace as we doomscroll the day away. \u201cIt\u2019s a song about dissociating, and wanting to feel numb,\u201d says Goetz. \u201cWhen something is too painful or your emotions are overwhelming, you\u2019d rather just shut down and feel nothing at all.\u201d This anthemic display of moody, introspective yearning, fueled by a juxtaposition of razor-sharp guitarwork that can pierce mountains and a confident comfort in vocal delivery to sooth the valley below, takes the angst and frustration of our daily living experience and filters the emotion into something blissful and beautiful. Hell, it might even be the SOTY \u2014 in both its sonic grandeur and its ability to harness our collective anxiety into something we can recognize and confront.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Lonely Little Kitsch - &quot;Puncture Wounds&quot; [Official Lyric Video] \" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/36cT1QOTdQ0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>MARINA<\/strong>, &#8216;I &lt;3 YOU&#8217;<\/h3>\n\n\n\n<p>Our forever homegirl\u00a0<strong><a href=\"https:\/\/www.marinaofficial.co.uk\/\" target=\"_blank\" rel=\"noreferrer noopener\">MARINA<\/a><\/strong>\u00a0wants to take us to the alt-pop disco we deserve, and the playlist en route to features ABBA, Erasure, The Waitresses, Blondie, that one Estelle banger, and all the other sonic strands of care-free DNA we hear pulsating through white-hot June single \u201cI &lt;3 YOU.\u201d This dance party bop of the summer arrived alongside MARINA\u2019s all-caps-everything album\u00a0<em>PRINCESS OF POWER<\/em>, and it\u2019s the third mega-jam we\u2019ve hyped from the record here on the V. It followed April\u2019s sexpot anthem\u00a0\u201cCUNTISSIMO\u201d\u00a0and February\u2019s dramatic, house-infused, hall-of-mirrors psych-pop romp\u00a0\u2018BUTTERFLY\u2018. \u201cOne of my lessons in the last few years is that love \u2014 and showing love \u2014 is not a weak thing,\u201d\u00a0MARINA says of the track.\u00a0\u201cOf all the superpowers we have as humans, love is our greatest one.\u201d\u00a0The instantly memorable and dance-party-minded \u201cI &lt;3 YOU\u201d surfaced with a Olivia De Camps-directed music video, and it was destined for this space from the first beat. <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"MARINA - I \ufe643 YOU (Official Video)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/cmFEMLWs-tI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>M<\/strong>\u00d8, &#8216;Keep M\u00f8ving&#8217;<\/h3>\n\n\n\n<p>A famous 20th-century Englishman once said something to the effect of \u201cWhen you\u2019re going through hell, keep going.\u201d And that\u2019s the vibe of\u00a0<a href=\"https:\/\/www.momomoyouth.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>M\u00d8\u2019s<\/strong><\/a>\u00a0emphatic and euphoric March single \u201cKeep M\u00f8ving,\u201d where the Danish alt-pop artist drops\u00a0a crunchy electro-punk beat\u00a0on all the stresses of modern life. Instantly alluring, Keep M\u00f8ving\u201d has a bit of a throwback mood to Gwen Stefani\u2019s \u201cWhat You Waiting For?\u201d and \u201cTwo of Hearts\u201d by Stacey Q, and it\u2019s a certified banger. \u201c\u2019Keep M\u00f8ving\u2019 is an ironic take on my endless to-do list,\u201d says M\u00d8. \u201cIt\u2019s about the feeling of unraveling under the weight of everybody\u2019s expectations (including my own) whilst also secretly dreaming of being set free from this constantly shifting, absolutely mental Western world. &#8230;I have never enjoyed recording ad-libs as much as I did screaming \u2018BUAH!\u2019 in the chorus \u2013 definitely my favorite ad-libs ever. The lyrics come from a place of real frustration, but writing and performing this one heals me too.\u201d Another for the &#8217;25 books.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"M\u00d8 - Keep M\u00f8ving (Official Video)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/j5yZBTfmWqI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Nuovo Testamento<\/strong>, &#8216;Picture Perfect&#8217;<\/h3>\n\n\n\n<p>Back in the long-gone n\u2019 lawless Allston days of the mid- to late-aughts, there was a DIY house party circuit called Club Fuxx that, for at least a short burst that felt like forever, was the hottest shit in the neighborhood. And the DJs would bump nothing but early-\u201990s dance-pop, house, and Euro-NRG, a stark contrast to the indie and electro soundtrack of the day. We bring all this up nearly two decades later because \u201cPicture Perfect,\u201d the lethal June single from\u00a0<strong><a href=\"https:\/\/www.instagram.com\/nuovotestamento.band\" target=\"_blank\" rel=\"noreferrer noopener\">Nuovo Testamento<\/a><\/strong>, would fit right in. The Los Angeles trio \u2014 who graced\u00a0<a href=\"https:\/\/vanyaland.com\/2023\/12\/11\/year-in-review-vanyalands-favorite-national-songs-of-2023\/\" target=\"_blank\" rel=\"noreferrer noopener\">our 2023 Year in ReView<\/a>\u00a0on the sleek strength of Italo disco standout \u201cHeartbeat\u201d \u2014 dropped the blissful retro-pop dance track ahead of summer EP\u00a0<em>Trouble<\/em>, out via the trio\u2019s own imprint\u00a0Discoteca Italia. \u201cPicture Perfect\u201d is a proper banger throwing it back to when clubbing was exciting, carefree, and fun, an intoxicating sonic cocktail of synth-pop and freestyle that showcases the vocal pull of Chelsey Crowley, who doesn\u2019t sound out of place alongside the likes of Melanie Thornton and Karin Kasar. \u201cIt\u2019s about a sweet, pure kind of desire \u2014 adoration, admiration, wanting, hope,\u201d the trio write about the new track. \u201cIt\u2019s free of doubt and full of conviction. There\u2019s no pain in this song, only the joy of someone\u2019s existence and knowing that they are meant for you. It\u2019s asking for trust until someone knows as much as you do about who you will be to one another.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Nuovo Testamento - Picture Perfect (Official Music Video)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/k0UHIX0LzT0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Sea Lemon<\/strong>, &#8216;Stay&#8217;<\/h3>\n\n\n\n<p>The world is a cruel and miserable place, consistently finding new ways to accelerate those concerns, and sometimes all we wanna do is crawl up inside a song and hide. Providing sonic shelter this week is \u201cStay,\u201d a gauzy March everything-\u2018gaze tune from Seattle\u2019s\u00a0<strong><a href=\"https:\/\/www.sealemonmusic.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Sea Lemon<\/a><\/strong>. The warm and expansive dream-pop track appeared on June album\u00a0<em>Diving For A Prize<\/em>, complete with a video that takes us for a calming walk by the water alongside the project\u2019s Natalie Lew. It\u2019s a divine experience that has us mentally dropping out, at least for an exquisite three minutes and 24 seconds. And turns out that checking out is embedded in the song\u2019s DNA. \u201c\u2018Stay\u2019 was the first track I actively wrote for my record, and is a little vignette of a man I saw in a local thrift store,\u201d says Lew. \u201cThis older guy, probably in his 70s or 80s, was acting as a security guard at this thrift store near my house, but he was basically asleep on the couch the entire time I was there. I couldn\u2019t stop thinking about him after I left, and wrote \u2018Stay\u2019 as a reaction to seeing this guy who I felt deserved to take a break. The song became a short story about him, and about how important I feel it can be to have someone in your life willing to tell you to take a step back and just relax.\u201d Most days, we are all that security guard asleep on the thrift store couch of life. And today, tomorrow, and into the scary beyond, Sea Lemon supplies the lullaby.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Sea Lemon - Stay (Official Visualizer)\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/l4152CsDwV8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>SpiritWorld<\/strong>, &#8216;Abilene Grime&#8217;<\/h3>\n\n\n\n<p>Few albums have captivated in 2025 quite like <strong><a href=\"https:\/\/spiritworldprophet.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">SpiritWorld&#8217;s<\/a><\/strong> third record <em>Helldorado<\/em>, where death metal and Americana collide in such brutally wonderful ways. If we had a section for AOTY, these death-western Vegas dudes would hit the jackpot, as <em>Helldorado<\/em> is a wild ride through metallic hardcore and alt-country genre-fusion that has pissed off the purists on both sides of the aisle. But holy mother of fuck what a record &#8212; standout tracks like searing power ballad &#8220;Bird Song of Death&#8221; and hyper-adrenalized &#8220;Western Stars &amp; The Apocalypse&#8221; are also contenders for this space &#8212; and it&#8217;s all kickstarted by a lethal dose of metal twang in &#8220;Abilene Grime,&#8221; where the groove thrust of country and a feisty honky-tonk shuffle is met dead-on by some heavy Slayer riffage and noise brutality. It somehow crushes with seduction. &#8220;When I wrote the demo for &#8216;Abilene Grime,&#8217; it felt like the album really found its identity and materialized out of the ether,&#8221; says frontman Stu Folsom. &#8220;It twangs, it bangs and it has a sick video, directed by our dear friend Todd Hailstone, which we filmed in Las Vegas a few weeks ago. Enjoy, everybody!&#8221; We sure will.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"SPIRITWORLD - Abilene Grime (OFFICIAL VIDEO)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/vbuFWWmfoOc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Suede<\/strong>, &#8216;Dancing With The Europeans&#8217;<\/h3>\n\n\n\n<p>A few short years ago the mighty\u00a0<strong><a href=\"https:\/\/www.suede.co.uk\/\" target=\"_blank\" rel=\"noreferrer noopener\">Suede<\/a><\/strong>\u00a0delivered the unexpected with\u00a0<em>Autofiction<\/em>, an album so potent in its vitality and beautifully self-aware in its context it remarkably earned a place alongside the English icons\u2019 \u201990s-era holy trinity. It found a weathered and battle-worn band once again comfortable in its own skin, exploring themes of aging, of personal growth and maturity, and how we are all so much older than we were when we first kissed in rooms to popular tunes. It was perhaps the most\u00a0<em>in the moment<\/em>\u00a0Suede record since the forever unfuckwithable debut. Nearly three years later, Brett Anderson and the gang released 10th (!) studio album in\u00a0<em>Antidepressants<\/em> in September, and sterling July single \u201cDancing With The Europeans\u201d proved there\u2019s still some magic floating through the air that binds us all these decades later. And it carries the same type of contagiousness we first heard in 2013 comeback record\u00a0<em>Bloodsports<\/em>, and all the hits that came before it. A thematic electrical current that flows through\u00a0<em>Antidepressants<\/em>\u00a0is a feeling of connection in an increasingly distant world, and \u201cDancing With The Europeans\u201d encapsulates that notion in the same way classic tracks like \u201cTrash\u201d and \u201cCan\u2019t Get Enough\u201d once did. The bond between Suede\u2019s die-hard fans and the band itself has always had a starring role in this never-ending drama, and now the two merge blissfully through the metallic sheen and effortless cool that permeates this new ripper. \u201cThere\u2019s a sense of optimism about this song,\u201d says Anderson. \u201cI remember specifically we were doing a gig in Spain during the time we were writing this album. I was going through a bad time and at a low, personally. But we played this brilliant gig. There was a great connection between me and the audience.&#8221; Come dancing with one of England\u2019s most essential bands, on this day or any one prior, as this evolving second act is holding steady as far more impressive than any of their Cool Britannia peers.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Suede - Dancing With The Europeans (Official Video)\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/PCNdb5zlQLE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Sunflower Bean<\/strong>, &#8216;Nothing Romantic&#8217;\u00a0<\/h3>\n\n\n\n<p>As American highways deliver <strong><a href=\"https:\/\/www.sunflowerbeanband.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Sunflower Bean<\/a><\/strong>\u00a0to venues across the country this year and beyond, supporting April album\u00a0<em>Mortal Primetime<\/em>, the New York trio had a certified banger in each night&#8217;s setlist courtesy of a soaring reflection on that rock and roll life dubbed \u201cNothing Romantic,\u201d\u00a0a supercharged \u201970-kissed glam anthem\u00a0that sounds electric out of the speakers. \u201c\u2018Nothing Romantic\u2019 is about rejecting the myth of the tortured artist \u2014 realizing that the joys of creativity don\u2019t have to come from the lows of misery,\u201d declare the &#8216;Bean. \u201cThe video mirrors this journey, capturing our lives as touring musicians in between nightmarish performances. From green rooms to lost highways, we travel from town to town, feeling alive only in the escape of our show. There\u2019s tension between the connection and solitude; on stage, we\u2019re together, sharing our music with others but later isolation and the price of our sacrifices creep in.\u201d As we said in March, put this right on the Best of 2025 list, and we stayed on course \u2014 what a fucking tune.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Sunflower Bean - Nothing Romantic\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/Rz_Jkj00ntw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Wet Leg<\/strong>, &#8216;catch these fists&#8217;<\/h3>\n\n\n\n<p><strong><a href=\"https:\/\/www.instagram.com\/wetlegband\/\" target=\"_blank\" rel=\"noreferrer noopener\">Wet Leg<\/a><\/strong>\u00a0doesn\u2019t want your love \u2014 they just wanna\u00a0<em>fight<\/em>. The whipsmart English band roared back with a new single on April Fool\u2019s Day, a noisy number dubbed \u201ccatch these fists\u201d that\u2019s sure to cause a ruckus. The punchy track is perhaps the greatest Britpop anthem of the past 25 years, and if Elastica delivered this on <em>The Menace<\/em>, Justine and the crew would probably still be playing Glastonbury. The first taste of Rhian Teasdale\u00a0and\u00a0Hester Chambers\u2019 sophomore album\u00a0<em>moisturizer<\/em> sets a provocative tone as the band fend off unwanted advances from a belligerent bloke as their new-age dance-punk sways, struts, and somersaults in every direction. Everyone\u2019s gonna love this one, yeah, we thought at first listen, and with tracks like &#8220;Mangetout&#8221;, &#8220;CPR&#8221;, and &#8220;pokemon&#8221;, it shapes <em>moisturizer<\/em> as pretty much the best album of 2025. It all sounded dope every time Wet Leg hit a stage this year. Says Teasdale on the album\u2019s writing process: \u201cWe focussed on: Is this going to be fun to play live?\u201d We know the answer, we heard the answer. C&#8217;mon now and catch these lists!<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Wet Leg - catch these fists (Official Video)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/6Kjz89xYmS4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s said that music helps keep us sane in insane times, and as we noted at the year&#8217;s midway point, that theory has been put to the test in this miserable and exhausting 2025. So to wrap up a year where music either inspired action or helped soundtrack distraction, we&#8217;re rounding up our 20 most favorite tracks that have helped ease life&#8217;s firehose of chaos and provide a little bit of levity during our long and tiresome days. As is [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":10042754,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[64,103],"tags":[35952,20297,35629,25066,35988,32757,29334,26409,36031,36006,22078,11040,5222,35185,33396,34192,35532,35768,233,19519,25822,30985,36039],"class_list":["post-10042753","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","category-spotlight","tag-away-fans","tag-big-thief","tag-boy-deluxe","tag-charlotte-oc","tag-city-builders","tag-feeble-little-horse","tag-fontaines-dc","tag-header","tag-home-front","tag-lonely-little-kitsch","tag-madison-beer","tag-marina","tag-mo","tag-national-songs","tag-nuovo-testamento","tag-sabrina-carpenter","tag-sea-lemon","tag-spiritworld","tag-suede","tag-sunflower-bean","tag-the-beaches","tag-wet-leg","tag-year-in-review-2025"],"yoast_head":"<!-- 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