{"id":10042062,"date":"2025-07-23T14:33:16","date_gmt":"2025-07-23T18:33:16","guid":{"rendered":"https:\/\/vanyaland.com\/?p=10042062"},"modified":"2025-07-24T04:39:00","modified_gmt":"2025-07-24T08:39:00","slug":"the-fantastic-four-first-steps-review-a-return-to-form","status":"publish","type":"post","link":"https:\/\/vanyaland.com\/2025\/07\/23\/the-fantastic-four-first-steps-review-a-return-to-form\/","title":{"rendered":"‘The Fantastic Four: First Steps’ Review: A return to form?"},"content":{"rendered":"\n

For a superhero team so central to Marvel Comics\u2019 modern history and overall identity that they\u2019re known as the \u201cfirst family,\u201d attempts to bring the Fantastic Four to the big screen have often felt like afterthoughts. The first live-action adaptation didn\u2019t even make it to theaters; Tim Story\u2019s two entries epitomized aughts mediocrity, stoking fanboy ire with each misstep even as they brought home the bacon for Fox; and Josh Trank\u2019s Fant4stic<\/em> was an out-and-out disaster that, when I saw the film back in 2015, the father-son duo trying to record the movie on their iPhones gave up in frustration and left the theater after a half hour. The Lee-Kirby creation has always been out-of-step with cinematic trends \u2014 too expensive to realize in spendthrifty eras, too goofy for the grim and gritty years (the cloud Galactus and so on) yet too serious to play straight without a wink and a nod \u2014 and their best on-screen appearance came in a Disney knock-off with added Randian bullshit courtesy of Brad Bird. Indeed, it often felt like those comics were better served as an influence rather than a direct source, and that any attempt to compete with their progeny would have them in the same boat as John Carter<\/em> or The Spirit<\/em>. But desperate times call for desperate measures, and the Four were, from their creation, a Hail Mary toss meant to save Marvel from utter ruin. So, it\u2019s fitting that Matt Shakman\u2019s The Fantastic Four: First Steps<\/em><\/strong> has been positioned as the solution to Kevin Feige\u2019s extensive list of woes, a last-ditch effort to make the lead-up to their next MCU-quaking Big Event meaningful. What\u2019s surprising is that it\u2019s not half bad, despite everything working against it.<\/p>\n\n\n\n

That\u2019s right, First Steps<\/em> is a repudiation of the governing logic of Marvel Studios for the last decade, which means it feels like a real <\/em>movie. It\u2019s in a parallel universe \u2013 one in which the \u201860s never really ended, at least stylistically \u2013 mercifully devoid of the type of franchise-building horseshit these movies are suffused with and, despite what you might think the after-colon title would imply, it\u2019s not an origin story. Super-genius Reed Richards (Pedro Pascal) can already stretch himself to fill in the last steps of an equation on an overly-long chalkboard; Sue Storm (Vanessa Kirby) can turn herself invisible to avoid angry diplomats at the United Nations; Johnny Storm (Joseph Quinn) can set himself ablaze and take to the skies; and Ben Grimm (Ebon Moss-Bacharach) has to use an angle grinder in order to shave off the stalactite stubble that grows from his rocky visage. Mr. Fantastic, the Invisible Woman, the Human Torch, and the Thing are already heroes, well-known as the Fantastic Four, who have saved their city\u2019s bacon plenty of times from threats like the Mad Thinker and the Mole-Man (Paul Walter Hauser). The public loves them, and the group genuinely enjoys being superheroes, though Ben has some reservations given the whole \u201crock monster\u201d deal. But that all might change, as they\u2019re about to face a challenge that they legitimately can\u2019t just clobber or burn or force-push or stretch their way out of: Parenthood.<\/p>\n\n\n\n

Well, no. Everybody likes the idea that Reed and Sue, the it-couple marriage of their era, are going to have a kid, to the point that odds-makers are offering bets as to what sex the child will be, and the tabloids are ablaze with rumors and speculations about the child\u2019s potential powers. Johnny\u2019s excited to be an uncle, Ben\u2019s excited to be a godfather, and the only person who seems really worried is Reed. He takes fatherly concern to a new level, inventing new machinery and non-invasive diagnostic tests to run for his soon-to-be-born son, as he\u2019s terrified that he\u2019s burdened him with some super-powered curse or that, even worse, he\u2019ll turn out like he did. But all that\u2019s rendered moot when a naked silver lady shows up on a surfboard and declares to the Earth that it\u2019s about to be gobbled up by her master. She is Shalla-Bal (Julia Garner), otherwise known as the Silver Surfer, herald of Galactus (Ralph Ineson, ideal casting given his incredible voice). He \u2013 if you can still really call it that \u2013 is a force as old as time itself, whose never-ending hunger causes him to seek out life-filled planets for his consumption (he doesn\u2019t, like, detach his jaw or what not \u2013 he has a big old ship that converts all of that into a life-sustaining lava-like essence that\u2019s circulated in his suit). Their attempts to parlay with the big guy go terribly, and he offers them a choice: Reed and Sue can give him their son \u2013 a \u201cbeing of unimaginable power,\u201d despite what Reed\u2019s tests have told him \u2013 and he\u2019ll spare the Earth. They tell him to kick rocks, and the countdown begins.<\/p>\n\n\n\n

There are aspects of First Steps<\/em> that are recognizably modern Marvel. The effects work, per usual, runs the gamut from \u201cOk, this looks pretty cool\u201d to \u201cJesus Christ, Disney, you\u2019re a multi-billion dollar company \u2014 why the hell can\u2019t you get your CGI act together?\u201d For a feature with several mostly-digital characters, it\u2019s weird that the big building-smashing planet-eater is the one that looks the best, and not Moss-Bacharach\u2019s or Garner\u2019s, who have a lot <\/em>more screen time. Garner\u2019s appearance as the Silver Surfer is especially rough, her design burdened by the kind of comic-book detail that doesn\u2019t quite work on screen (keeping her hair really fucks up the streamlined sleekness of the character\u2019s appeal). There are also a few moments of banter that don\u2019t work too well, feeling atonal amid the straight-faced yet sunny seriousness of the tale told (though, to be perfectly fair, Hauser\u2019s brief appearance got the first legitimate laugh out of me in a Marvel movie in a long time). Yet what\u2019s more important is how little it resembles its immediate kin \u2014 there\u2019s a gulf separating this from garbage like Thunderbolts* <\/em>or Captain America: Brave New World<\/em> \u2014 and how it evokes Marvel\u2019s glory days, back when they could make fucking Ant-Man<\/em> into a hit.<\/p>\n\n\n\n

If I had to pinpoint the Marvel movie First Steps<\/em> most resembles, it\u2019d be Captain America: The First Avenger<\/em> in the way that it tries to evoke an era\u2019s feel, both in design and attitude, while minimizing revisionist cynicism (that\u2019s for the sequel). Though not as steady a journeyman as Joe Johnston, Shakman has that Rocketeer<\/em>-like experience in crafting a retro-futuristic world well-suited for the cinema. I know for a fact that it\u2019s one of the most detail-oriented Marvel movies \u2013 Johnston, James Gunn, and now Shakman are perhaps the only three directors who cared about the sets as something more than window-dressing (Coogler\u2019s got them beat on costuming). The grace notes, such as the Four\u2019s robo-butler H.E.R.B.I.E. having his cassette tape programming as a face, or the golden records that are auto-engraved with intergalactic transmissions ready for high-tech turntable playback, or the giant CRT ads in their equivalent of Times Square, only help to punctuate the level of thought that\u2019s gone into creating this world where Donald Fagen\u2019s \u201cI.G.Y.\u201d isn\u2019t so much a wistful lamentation of optimism lost and childhood\u2019s conclusion but instead a mere summation of daily life. Yet, unlike something like Brad Bird\u2019s Tomorrowland<\/em>, this world isn\u2019t meant to scold us \u2013 it\u2019s merely the place that these characters can exist in their ideal forms. Mundanity is beneath them.<\/p>\n\n\n\n

Moreover, Shakman\u2019s gotten even better now that he\u2019s not tethered to the bad pastiche of Jac Shaeffer\u2019s WandaVision<\/em> scripts, and he has a purpose-built screenplay with at least four credited writers to suit his and Feige\u2019s needs. It\u2019s the Iron Man<\/em> magic all over again, in terms of summoning a fully-realized narrative out of a writer\u2019s pool under stressful circumstances, and I\u2019m sure even more uncredited contributors had their fingers in the pie. The point is that it coheres well, even if it has some deliriously silly machinations \u2013 their first attempt at a plan to stop Galactus is suffused with what I like to call \u201cPatrick Star logic\u201d — which, in retrospect, is well in line with the early Lee-Kirby stories. What deficiencies remain are smoothed over by a genuinely delightful cast, who are, for the first time since Chadwick Boseman and Tom Holland showed up in Civil War<\/em>, so well-suited that it feels like they were always<\/em> meant to be in these parts. Pascal and Quinn are standouts, benefitting from the strongest writing: a short scene with Pascal and his son has more pathos in it than anything Disney\u2019s done this decade (without involving animal cruelty, either!) while Johnny\u2019s quest to prove himself as more than a pretty face to his brother-in-law is a surprising innovation on a character commonly known on-screen for comic relief and braggadocio. Well, that is, as the urban legend goes, unless a robot replaces him because they’re worried about kids setting themselves on fire.<\/p>\n\n\n\n

At roughly 100 minutes, First Steps<\/em> shows that Marvel can be economical without skimping on the good stuff \u2013 compelling characters in an involving story set in a fantastical world with some amount of grand spectacle. That\u2019s right, folks: the finale involves more than two guys with different colored lasers zapping and punching each other in a darkened all-CGI environment, and the best action sequence in the film owes more to Chris Nolan\u2019s Interstellar<\/em> than it does any of Marvel\u2019s predecessors. Ultimately, for the first time in years, the Feige-industrial complex has produced competent entertainment that can stand on its own. Should you not give a shit about Doomsday<\/em> or Secret Wars<\/em>, the movie never makes a lengthy diversion to plug coming attractions \u2013 it just doesn\u2019t have the time as it works to make you smile. It\u2019s crazy what happens when Marvel focuses on what they\u2019re good at, instead of courting critical acclaim that will never come or making three-hour trailers for movies that are a solid decade away from release. Take it from a certified hater: you gotta give it to them when they\u2019ve done a good job. So, well done, Marvel, Fantastic Four<\/em> proves you still have some gas in the tank. It\u2019s just a bummer it\u2019ll take another seven years and 40 hours of drek to get another movie like this.<\/p>\n","protected":false},"excerpt":{"rendered":"

For a superhero team so central to Marvel Comics\u2019 modern history and overall identity that they\u2019re known as the \u201cfirst family,\u201d attempts to bring the Fantastic Four to the big screen have often felt like afterthoughts. The first live-action adaptation didn\u2019t even make it to theaters; Tim Story\u2019s two entries epitomized aughts mediocrity, stoking fanboy ire with each misstep even as they brought home the bacon for Fox; and Josh Trank\u2019s Fant4stic was an out-and-out disaster that, when I saw […]<\/p>\n","protected":false},"author":48,"featured_media":10041219,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[19452],"tags":[13301,20180,24029,26409,9841,23142,23083,35374],"class_list":["post-10042062","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-filmtv","tag-fantastic-four","tag-film-review","tag-good-movies","tag-header","tag-marvel","tag-mcu","tag-pedro-pascal","tag-the-fantastic-four-first-steps"],"yoast_head":"\n'The Fantastic Four: First Steps' Review: A return to form?<\/title>\n<meta name=\"description\" content=\"Betterage's Law of Headlines be damned, the answer is yes, Marvel made a good one with 'The Fantastic Four: First Steps.'\" \/>\n<meta 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